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\F0\CSTANFORD UNIVERSITY
\CDepartment of Music




\F3Clifford A. Cranna, Jr.\F1			A.B. University of North Dakota
285 College Ave., Apt. C.			Ph.D Stanford (expected June 1977)
Palo Alto, CA 94306
(415) 327-9195
Age: 29
				\F3Major Advisor:  Prof. Imogene Horsley

\F1Primary area:   Renaissance-Baroque History and Theory

Dissertation title:   \F2Adriano Banchieri's \F1Cartella Musicale \F2(1614): Translation and Commentary

\F1Secondary areas: Choral music, choral conducting, general music history and theory.

Performing ability: Choral conducting.

\F1Teaching Experience: Teaching Assistant, Stanford University: Music of Beethoven (1973);
			Romantic Piano Music (1973);
		Adult Education Instructor, Chabot College, Hayward, CA:  History of
		Church Music (1976);
		Student Conductor, 70-voice male chorus, University of N. Dak. (1968-69);
		Director, Men's Octet, University of N. Dak. (1966-68)
		Co-director, Stanford Early Music Singers II (Spring 1976).

Work Experience:  Director of Music, Grace Lutheran Church, Palo Alto, CA (current)
		Director of Music, Christ Lutheran Church, San Lorenzo, CA (1973-76)
		Regimental Choirmaster, Naval Officer Candidate School, Newport, RI (1969)
		Director of Music, Augustana Lutheran Church, Grand Forks, ND (1967-69)
		Choral Librarian, University of N. Dak. Music Department (1967-69)

Awards:	Woodrow Wilson Fellow Designate (1969); Fulbright Award, Spanish Government (1969),
	declined due to military obligation; Stephen Fox Memorial Award, Stanford University
	1973; Salutatorian, \F2summa cum laude\F1, University of North Dakota, 1969.

Publications:  \F2Adriano Banchieri's \F1Moderna Pratica Musicale \F2(1613):  
		Teaching Composition in a Style Without Rules\F1, paper delivered
		to Northern California Chapter, AMS, May 8, 1976.
		Music reviews published in the \F2Stanford Daily.




\F0\CSTANFORD UNIVERSITY
\CDepartment of Music




\F3Bruce A. Lamott\F1				M.A. Stanford University 1974
285-C College Ave.     				Ph.D Stanford (expected June 1977)
Palo Alto, CA 94306		
(415) 327-9195
Age: 27
				\F3Major Advisor:  Prof. Imogene Horsley

\F1Primary area:  Baroque

Dissertation title:	\F2The Relationship of Thoroughbass Realization to
			Keyboard Improvisation, c.1675-1725

\F1Secondary areas: Ear-training and keyboard, performance practice, collegium, opera.

Performing ability: Harpsichord, organ, piano (coach/accompanist), choral conducting

Publications:	\F2The \F1Nova Instructio\F2 of Spiridion a Monte Carmelo: Source Book for Keyboard
		Improvisation,\F1 paper read for California Chapters of A.M.S., April 1974
		(winner of Ingolf Dahl Memorial Award)
		
Performances:	Harpsichordist with Carmel Bach Festival, 1974-76;
		Musical director of Stanford Drama Dept. production of \F2The Beggar's Opera\F1 (1975)
		Coach/Harpsichordist for productions of \F2Don Giovanni, Cosi Fan Tutti\F1 (Stanford
		Opera Theater), \F2Pimpinone, Dido and Aeneas\F1 (Carmel Bach Festival)
		Recitals with Florilegium Trio (flute, harpsichord and gamba),
		Pacific Viol Consort; solo harpsichord and organ recitals.

\F1Teaching Experience: Teaching Assistant, Stanford University: Music of Beethoven (1973),
			Music theory (1974-75);
		Private instructor in organ, harpsichord, piano;
		Student Conductor, Lewis and Clark College Choir, Portland OR;
		Music theory instructor, Lyceum of Monterey Peninsula, CA.

Work Experience:	Organist, St. Stephen's Episcopal Cathedral, Portland, OR (1967-72)
			Organist and choral director, Trinity Presbyterian Church,
			San Carlos, CA (1973- )

Honors and Awards:  B.A. \F2summa cum laude\F1, Lewis and Clark College, Portland, OR (1970);
 		     Woodrow Wilson Designate, 1970

\F0\CSTANFORD UNIVERSITY
\CDepartment of Music



\F3Charles P. Wolterink\F1			B.A. Michigan State University (1969)
\F1472 Margarita Ave.				M.A. Stanford University (1971)
Palo Alto, CA. 94306				Ph.D. Stanford (expected 1977)
					\F3Major Advisor: Professor Leland Smith

\F1Primary area:    Twentieth-century theory.
   Dissertation title:   \F2Harmonic Structure and Organization in the
			Serial Works of Igor Stravinsky, 1952-1966

\F1Secondary areas:  Composition, general music theory.

Performing ability:	Piano

Compositions:	Several chamber and vocal works publicly performed at Stanford.

Teaching experience:  Stanford University:  taught Elements of Music, 1973-4;
			teaching asst. for Elements of Music, 1970-1, Introduction
			to Music, 1971, and Twentieth-century Music, 1972, 1975.
			Menlo College: Instructor in Piano (individual), 1974→.
			Private teaching of Piano, 1971→.

Professional affiliations: American Musicology Society,  Phi Beta Kappa, Pi Kappa Lambda
Corresponding editor, Current Musicology


\F0\CSTANFORD UNIVERSITY
\CDepartment of Music




\F3Anne Louise Witherell\F1			B.Mus. Eastman School of Music (1971)
\F1458 Channing St. 				M.A. Stanford (1973)
Palo Alto, CA. 94301				Ph.D. Stanford (expected 1976)

					\F3Major Advisor: Professor George Houle

\F1Primary area:    Musicology/Performance Practice (Baroque)

Dissertation title:   \F2Louis Pecour's 1700 "Recueil de Dances"

\F1Secondary area:   Dance history

Performing ability:   Trombone, harpsichord, historical dance (will teach)

Publications:	\F2Current Musciology\F1 correspondent 1973-74;
		18th century dance notation for \F2Dance and Music 
		of Court and Theater: 1690-1725\F1 by Wendy Hilton

Performances:	Carmel Bach Festival (sackbut), Northern California Renaissance
		Faire (dancer, choreographer), and many others.

Teaching experience:  Stanford Teaching Asst. (performance practice, music of Mozart,
		      music history, historical dance, 1972-75);
		      Assistant to the director: Stanford Summer Workshop 
		      in Baroque Music and Dance, 1976-

Work experience:  Sibley Music Library, Rochester, N.Y.;  Stanford Music Library